The Lines In Photographic Composition

The Lines In Photographic Composition

But it does not end there Do you know that it is possible to contain the human eye scan simply by introducing a barrier (a leaf, a branch, a building or even the darkening of the photo) in the upper right corner By introducing such an element you will force the eye to go back and consequently give greater emphasis to the left side than the right of the photographed scene.

Lastly, the guidelines are to be remembered these are lines, mostly non-straight lines, that guide the human eye around the scene. Do you have the photos of rails that narrow to the bottom Here, our eye is tempted to follow them until we reach the horizon sewa sound system jakarta. Equal for a sinuous river or a mountain road our eye will travel it all from left to right. The technique of the guidelines has always been used in photographic composition.

And now, let’s look at some examples of application of lines and guidelines the first example is one of Bresson’s most famous shots. The guidelines are the handrails that bring the human eye to the cyclist. And they are signaled, with the presence of the sidewalk blocking the passage up and the wall on the top right that contains the exploration of the eye. In many, watching the scene for a few seconds, they do not realize that there is a wall at the top ….

Again Bresson this time with a curved line. The eye slips following the spiral movement and looks at the faces of the children from the first to the upper left.

In the next photo to make it a master are the vertical lines. They give a sense of resistance to the piles on the water.

In this case the rails bring our eye to the horizon to the top right and almost forget to look at the house behind the tree on the left.

And here’s a blockage effect the sun is confined in two lines and our brain breaks the image into four parts. As if we were behind the bars, to understand.

In the photo below is the way to make it master, bringing us to the top of the scene.

In the photo below are the vertical lines to capture our attention and slide the eye from the bottom up.

In this photo, the river takes us to the horizon by sharply diverting the eye toward the lower half of the photo. And allowing you to see the clump of grass on the left.

More information about the lines (oblique, vertical or diagonal) can be found here.

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